Ghana curriculum lesson note

Basic 7 Creative Arts And Design Term 1 Week 11 Lesson Plan

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Week 11: Lesson Plan
Subject: Creative Arts And Design
Class: Basic 7

Component 1

Media and Techniques

Topic: Narrate own views of the history, culture, environment and topical issues in the community

Strand: Visual ArtsSub-strand: Media and Techniques
Indicator: B7.2.3.1.1 Narrate own views of the history, culture, environment and topical issues in the community.Content Standard: B7.2.3.1 Demonstrate the ability to correlate and generate ideas from visual artworks in the community that reflect a range of different times, cultures and topical issues, Music
Performance Indicator: Learners can narrate own views on topical issues in the community.T.L.R.(s): Printed photographs of local Ghanaian festivals, Local newspaper clipping, Chart paper with markers
Phase 1: Starterpreparing the brain for learning
Learners watch a 5-minute video on the festivals and tourist sites. Using questions and answers, review learners understanding in the previous lesson.
Phase 2: Mainnew learning including assessment
Learners examine the Printed photographs of local Ghanaian festivals and identify evidence about dress, leadership, environment and community history. They read the Local newspaper clipping to identify a current community issue and compare it with the evidence in the photographs. Groups use the Chart paper with markers to make a concept map linking history, culture, environment and the topical issue. Each group then narrates and defends its own view with evidence from all three resources.
Phase 3plenary / reflections
Use peer discussion and effective questioning to find out from learners what they have learnt during the lesson.

Component 2

Media and Techniques

Topic: Identify indigenous and art musicians in the community whose works reflect the...

Strand: Visual ArtsSub-strand: Media and Techniques
Indicator: B7.2.3.2.3 Identify indigenous and art musicians in the community whose works reflect the history, culture, environment and topical issues.Content Standard: B7.2.2.3 Demonstrate the ability to correlate and generate ideas from indigenous creative musical forms and art musicians in the immediate community that reflect a range of different times, cultures and topical issues, Dance and Drama
Performance Indicator: Learners can identify indigenous and art musicians in the communityT.L.R.(s): Mobile phone with offline Ghanaian music recordings, Printed local-musician profile cards, Chart paper with markers
Phase 1: Starterpreparing the brain for learning
Share performance indicators and introduce the lesson. Show a video of one of the class performances recorded a fortnight ago or similar video clip.
Phase 2: Mainnew learning including assessment
Groups listen to short excerpts on the Mobile phone with offline Ghanaian music recordings and identify musical clues about community history, culture or a topical issue. They match each excerpt to the Printed local-musician profile cards and select one indigenous or art musician for closer study. On the Chart paper with markers, learners record the musician's background, musical style and the issue reflected in the work. Groups present their evidence and explain the connection between the musician and the community.
Phase 3plenary / reflections
Take feedback from learners and summarize the lesson.

Component 3

Connections in Local and Global Cultures

Topic: Select artworks of dance and drama artistes in the community or other places, and...

Strand: Performing ArtsSub-strand: Connections in Local and Global Cultures
Indicator: B7.2.3.3.5 Select artworks of dance and drama artistes in the community or other places, and identify the history, culture, environment and topical issues that are reflected in themContent Standard: B7.2.3.3 Demonstrate the ability to correlate and generate ideas from creative artworks of dancers and actors in the community that reflect a range of different times, cultures and topical issues
Performance Indicator: Learners can appreciate the history of dance and drama artistes in the community.T.L.R.(s): Atumpan drum, Calabash rattle, Printed photographs of Ghanaian dance poses
Phase 1: Starterpreparing the brain for learning
Start lesson by singing the song Nyɔntserɛ ni egye and dance or any traditional play songs
Phase 2: Mainnew learning including assessment
Concrete-resource task: Set out these resources for each group: Atumpan drum; Calabash rattle; Printed photographs of Ghanaian dance poses. Learners review the printed photographs and recall the body positions, gestures, facial expressions and movement patterns identified in the previous lesson. In groups, learners select a sequence of Ghanaian dance or drama photographs and analyse how the poses can be connected to communicate a simple cultural story, community event or topical issue. They discuss the meaning of each pose and decide how performers should move from one position to the next. Learners assign roles within their groups. Some learners perform the selected poses and movements, one learner uses the Atumpan drum to give clear cues for entrances, changes of pose and important dramatic moments, while another uses the Calabash rattle to maintain the rhythm of the performance. Groups rehearse and present their short dance or drama sequence to the class. The audience observes the performance and identifies the poses taken from the printed photographs, the cultural ideas communicated and how the Atumpan drum and Calabash rattle supported the performance. Assessment: Each group performs a short sequence based on the printed photographs and explains how at least three selected poses reflect Ghanaian history, culture, environment or a topical issue.
Phase 3plenary / reflections
Use peer discussion and effective questioning to find out from learners what they have learnt during the lesson. Take feedback from learners and summarize the lesson.

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